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Shrek is already out on Xbox but that doesn?t mean that Nintendo GameCube fans can?t enjoy the game. From TDK Mediactive and Digital Illusions comes Shrek. Based on the hit movie of the same name starring Mike Meyers and Eddie Murphy, Shrek the game takes place shortly after the events that concluded the movie. Assuming the role of the ogre, players venture out on a quest to the Dark Tower Fortress to save the fair Princess Fiona from the evil wizard Merlin. Treading across last lands and battling the wizards dark minions, players set out in a game that features both side missions (hunting, searching and variations of hunting & searching missions) and visuals that almost perfectly mimic the movie.Showcasing visuals that would stun even the most hardcore of gamers and large immersive environments, Shrek is a game that both fans of the movie and casual gamers alike can enjoy.

Get the red pepper when you are in the mine in 'The Enchanted Forest level. When you get the red pepper, go in the river, fart, and blow up the fart near the large brown tree. Be careful -- stay out the ground's shadow or you will bump your head. Kick or punch the tree to make a bridge. Make the kids follow you across the tree, and put them in the gingerbread house.

This remake contains two extra larger missions and more mini-games. As the same as before, the ogre must complete a checklist of objectives in each fairy tale-inspired area before advancing to the next. Shrek's ultimate goal is to rescue Princess Fiona so he can return to his swampland home for some much-needed peace and quiet.

November 15, 2021 will mark the 20th anniversary of the Shrek game's release on the original Xbox console, but the crew at Xbox is celebrating now. Interestingly, this particular movie tie-in never migrated to other platforms. However, an overhauled version of the experience, Shrek: Extra Large, hit GameCube in 2002, complete with extra levels and other fresh content - hence the Extra Large subtitle. Most intriguing is that Battlefield creator DICE developed these projects.

The Shrek game's 20th anniversary doesn't officially kick in until November 15, but if Halo and Xbox can celebrate their anniversaries early, why can't the big green ogre get a head start, too? Today, Xbox did just that, tweeting an image of the platformer's box art in recognition of its milestone year. There's a lot to love about the image, too - the purple background, Shrek's close up, and a quick marketing blurb that makes mention of "new characters designed by Todd McFarlane." Apparently, even the Spawn creator played an integral part in Shrek mania. And if anyone's thinking Xbox may have something extra special up its sleeve, leave those expectations at the door. The brand's Twitter account said the post in no way, shape, or form, constituted a tease.

When he turns into a not-so-jolly green giant, you can't help wondering where his extra- extra- extra large purple boxer shorts come from, and what bio-technology ensures that they miraculously expand when he does.

Following a tidal wave of hype, Spider-Man3 exploded on the scene and grossed an eye-popping $151.1M duringits opening weekend in North America, according to finalstudio figures, breaking the previous record of $135.6M set last summerby Pirates of the Caribbean: Dead Man's Chestby a healthy 11%. The super hero flick opened in 4,252 theaters(also a record) and averaged a staggering $35,540 for Sony. The smash hitalso set a new Imax record with $4.8M from those large-format engagementsbeating 300's old mark set two monthsago by 33%. Imax presentations, despite their higher ticket prices, werereportedly sold out from coast to coast.

With nothing else worthy to program, multiplexes had no problem openingup screens. Sony did not report its official screen count but industryinsiders note that it was over 10,000. By comparison, screen counts forprevious blockbuster openers were 9,400 for StarWars Episode III, 8,500 for Dead Man'sChest, and 7,500 for the first Spider-Manwhich opened five years ago this same weekend and also brokethe all-time opening weekend record. The extra screens for the new filmallowed Sony to absorb all demand right away and leave almost nothing onthe table.

Sounds terrific, no? If ProductionPro had been available to Alexander Libby when he was doing those pizza night extravaganzas, his shows might have improved enough to keep his great-grandmother in her seat.

Spectators are making agonized choices among Hollywood haymakers, European art films, and far-flung exotica. In short, it's another Cannes International Film Festival: uncertain whether it's a cultural event, an entertainment extravaganza, or a marketing convention. Which is exactly what attracts the cineastes who have gathered here for 12 days of viewing, networking, and - if time and fortune allow - a little stargazing on the side.

Among the major international entries are the Japanese drama Desert Moon, by Shinji Aoyama, whose "Eureka" is currently in American theaters; Sun Behind the Moon, by Iranian director Mohsen Makhmalbaf, who wrote "The Day I Became a Woman," also on US screens now; the documentary ABC Africa, by Abbas Kiarostami, whose Iranian dramas have a large American following; and new works by two of France's own New Wave giants: Va Savoir, by the uncompromising Jacques Rivette, and Eloge de l'amour, by Jean-Luc Godard, whose genius has changed the course of film history over the past half-century. 2b1af7f3a8